
Sunday, 31 January 2010
Technical audit of Bait Tutorial

Friday, 29 January 2010
Art of the title; Sherlock Holmes

The tile sequence starts with a close up of a picture of two men and then zooms out to reveal a newspaper article. This suggests to the audience that the events in the movie could be factual. The camera then zooms in at fast pace to a heading of the newspaper. The title is possibly in a Times New Roman font and looks as though they have been typed using a typed writer. This immediately suggests that the movie is set in a Victorian period. The yellow paper that makes the background for the title seems to be old and used, this along with the writing on the top and bottom of the title that looks worn, are more indications that this movie is set in the past and not the present. Sherlock Holmes is a old name and suits the period that the movie is set in. It is also a well recognisable name from the books by Sir Arthur Conan Doyle. The lighting on the title is soft and sort of luminates the page with a flickering effect suggesting it is lit by candle light also a connotation of the Victorian period. After the title of the film is shown the shot cuts to a close up on a street sign which says Baker Street. The sign is also possibly in a Times New Roman, is also looks worn and is sitting on a brick wall. This tells the audience that the movies first scene is set in industrial Victorian London.
The art of title sequence.

The Art of Title Sequence
Sherlock Holmes Main Titles
The main titles sequence of 'Sherlock Holmes' is shown in a bold font, perhaps Times New Roman, it appears quite old fashioned style font, it suits the Victorian era in which the film is set. His name stands out on the paper background and foreshadows the strong powerful character we may come to see in the film. 'Aids police' is faded but still visible. Within a flash, 'Baker Street' road sign appears, the use of this type of signage is that it helps to establish the place and setting of the entire film, it suggests certain significance about this place also. The camera slowly zooms from this shot and we are exposed to a sudden exploration of 'Baker Street'. A panning aerial shot explores the streets, a busy road of men and women, obvious to the fact that this film is set in a Victorian era. The opening image is of Sherlock Holmes himself, effects are used to implement this into a photograph on a newspaper, which appears to be from a Victorian era also. The movement is quite fast paced therefore suggesting the film holds some action aspects.
End Credits
The font used for the end credits is calligraphy styled; it too holds an old fashioned aspect to it. Whilst this suits the era of the film the shots which vary from mid shots to aerial shots, appear like photos and turn to sketches, ink spreads on this paper. This shows the significant events in the film and freezes them whilst the credits appear in the frame also. The movement of the camera is considerably fast paced; it adds a action filled aspect to this type of thriller. 'Sherlock Holmes' once again appears on the end credits, however this time it is in calligraphy style font, with connotations of the Victorian era as ink was used during that time in order to write. The paper appears yellowish with red splatters and so on.. Again connoting Victorian era and highlighting its thriller aspect.
Here is the video and link to watch the end credits to Sherlock Holmes; http://www.youtube.com/watch?v=zw_x276kLDA&feature=related
Tuesday, 26 January 2010
Photo Words Activity
This is an image of an outdoor surrounding, the word behind this photograph is 'mysterious'. It appears to be a point of view shot therefore we can put ourselves in the shoes of the person who is watching, which would leave a mysterious feeling within us. The tree seems more clearer that the rest of the picture which takes up most of the frame, this highlights the fact that this is a point of view shot as realistically the tree would be more clear to us being closer. The rest of the image is quite blurry and pix elated, emphasising on the fact that they are being watched, there are 3 people in the frame, and one person watching, exaggerating the element of mysteriousness. Trees and buildings within the frame make this scene more realistic and contradicts the word 'mysterious' as it is not likely to exist in this sort of public environment.
Sunday, 24 January 2010
Suspense in Marathon Man
Friday, 22 January 2010
definition of Suspense 22/01/10
Detailed Analysis of The Shining
The frame is filled with landscape of mountains and sea, as the camera slowly zooms in and pans the scene, the tall mountains share connotations of power and strength and help to create a sense of fear. More sea and sky is visible, it looks desolate and iscolated, and integrates a fear within the audiences perceptions as we are imagining what it would be like to be in similiar surroundings. Although it may suggest calm and relaxed feelings, the music and the slow paced camera movement undermines this making us feel tense and anxious.The slow fade transition exposes an aerial shot of trees, a long road and a car. The car becomes the main focal point in the shot and this makes it seem as if it is a prey to the audience. We become eager to see where it goes, as our eyes follow the it. The fact that the yellow car is the only car on the road, immediately creates a sense of vulnerability and seems iscolated, therefore increase levels of suspense as the audience wonder in deep anticipation.

The car is now driving down another long road, in between hills of trees, it seems overshadowed by this. Negative connotations are held with shadows, of ghosts and general fear, foreshadowing that this is leading to something bad.
It leads in to a dark tunnel, this is where anxiety levels reach a climax, and we are fearful for the car as well as ourselves. Although more cars are apparent in the frame now, we are still focusing on the yellow car being followed. This whole concept of following contributes to ratings of suspense.
The opening to The Shining:


